This stellar adaptation of H.P. Lovecraft’s “The Colour Out of Space” marks a brilliant return for cult director Richard Stanley.
Darkly compelling and brilliantly unreliable, Philip Kaufman’s “I am Thinking of Ending Things” is an imploded kaleidoscope filled with broken shards.
Colin Farrell becomes a troublingly perfect Agamemnon in this new film by Yorgos Lanthimos.
A chirpy and entertaining film about a dark story with terrible consequences, “Coup 53” is charmingly didactic yet raises the question: what is documentary film for?
A death stirs up the unresolved past in a grey North London suburb. Photographer Ronit flies home from New York for her father’s funeral to find herself erased from his life.
The class struggle is alive and well, it seems, and depicted with brilliant and explosively exuberant joie de vivre in director Bong Joon Ho’s black comedy.
While Bong Joon Ho’s spectacularly successful Parasite was collecting awards in Cannes and at the Oscars, its black & white twin was quietly waiting in the vaults – or maybe in the basement of a beautiful but foreboding modernist villa.
A palimpsestic chamber piece in a minor key, Kore-eda’s “The Truth” stars Catherine Deneuve and Juliette Binoche in a film that is as French as they come – almost.
Magloire (Paul Hamy) is a man on a journey to nowhere, or more accurately, Nowhereland.
Joachim Trier’s film “Thelma”, made with his long-term collaborators, writer Eskil Vogt, cinematographer Jakob Ihre and composer Ola Fløttum, marks a new development in the director’s career.
A long relationship plays out in a world of light and dark among the upper classes of Paraguay. Director/writer Marcelo Martinessi talks about his Berlinale prize-winning film.
In the empty, rock-strewn landscape of the New Mexico desert, a meteorite pierces through the cloudy sky.
Charming and bucolic, a meandering story of a summer idyll unexpectedly builds up into something deeply moving and memorable.
Mayhem reigns wherever Moonee (Brooklyn Prince), an irrepressible six-year-old, leads her friends. She is a little tornado of mischief, and has an answer for everything.
Giada Colagrande’s latest film explores love after loss, in a richly musical and luminous story.