The class struggle is alive and well, it seems, and depicted with brilliant and explosively exuberant joie de vivre in director Bong Joon Ho’s black comedy.
Painfully pleasurable and utterly epic, this gothic tale of one-eyed seagulls and men going mad is all crashing waves, booming foghorns, and stark, crepuscular landscapes.
The class struggle is alive and well, it seems, and depicted with brilliant and explosively exuberant joie de vivre in director Bong Joon Ho’s black comedy.